I can’t seem to find a simple list of all the films nominated for Best Picture. I want to catch up on the movies everyone is talking about. Can someone provide the full list or point me to an updated source? Thanks!
So Who’s Up for an Oscar in 2026? (Well…Here’s Who’s Buzzing)
Honestly, the Academy’s not letting anyone peek at the actual nominee list until much closer to the glitz-and-glam night itself. Typical! But you know how it goes—festivals, critics, rumor-fueled Reddit threads—they’ve all been pointing at some early favorites. I figured it’s worth breaking down the big titles generating major noise for those of us already building prediction spreadsheets.
“Avatar: Fire and Ash”—James Cameron’s Still Got It?
People joked we’d see this movie right after the singularity, but Cameron actually delivered. The new “Avatar” doesn’t just revisit Pandora—it makes you wanna swim with those bioluminescent fish all over again. The visuals are so wild my friend claims he nearly cried at pixels alone. Sure, you get the usual edge-of-seat action, but there’s also a deeper punch about how we treat the world (and each other). Some early critics swear it’s got legit feels baked in this time.
Guillermo del Toro’s “Frankenstein”—Gothic Chic Meets Big Emotions
Ever wonder what happens when you hand Mary Shelley to a director who collects haunted dollhouses for fun? Enter del Toro’s “Frankenstein.” Massive cast, more shadows than sunlight, and every frame looks like it should be in an art book. Is it scary? Absolutely. Kinda heartbreakingly sad, too. People are already calling it his “most human monster movie,” whatever that means, but it’s definitely the sort of film you watch with the lights on.
If You Like Literary Drama, “Hamnet” Is It
This one’s got “Oscar bait” scribbled all over it, but in a good way. They adapted Maggie O’Farrell’s book into a dreamy period drama that peeks into Shakespeare’s home life—lots of love, grief, and clever glances. You’ve got that golden-hour filter on every shot, and actors doing that quiet-but-painful crying thing. Critics are sighing about “transcendent performances.” I dunno about transcendent, but it looks good on a rainy Sunday.
The Indie with Surprising Teeth: “It Was Just an Accident”
You know those indie movies that creep in and suddenly, everyone won’t shut up about them? Here’s one. Very low-key—almost looks like someone shot it handheld—but the story stings. It’s about consequences, like, tiny mistakes and how they spiral. Reviews say it’s the acting that grabs you: not showy, just brutally real. Could be a dark horse, especially if you love tense family arguments that make you wanna pause and call your mom.
Sharp and Snarky—“Marty Supreme” Is Satire on Steroids
Celebrity worship, ambition, and good ol’ existential dread all squeezed into one flick. “Marty Supreme” pulls no punches. You’ll laugh, then probably feel weird for laughing, then maybe overthink your life. It’s whip-smart in the dialogue department, with scenes that hit as much as they sting. Not everyone’s cup of tea, but if you’re into movies that roast modern fame, this one’s for you.
“One Battle After Another”—Because War Movies Aren’t Dead Yet
Every decade has its own epic war film, and apparently, it’s time for another. “One Battle After Another” skips the heroic, flag-waving stuff to show what fighting actually does to people’s brains. Script’s tight, acting’s raw—lots of the “just trying to survive” moments, not explosions constantly. I’d say if “1917” or “Dunkirk” made it onto your faves, you’ll probably want this queued up.
For the Feel-Seekers: “Sentimental Value”
Not all Oscar hopefuls come with fireworks. Sometimes it’s the soft, slow burns that hit hardest. “Sentimental Value” is the classic “family secrets and old wounds” film people cry at but don’t want to admit. It’s delicate—you won’t get flashy camera tricks, just actors quietly reminding you that adulthood is mostly about figuring out why your grandma gave you that weird clock.
Random Bonus: Making Movie Night on Mac Less Painful
Last thing—if you’re watching any of these at home (legally, of course), I’ve found Elmedia Player works without fuss. Doesn’t matter what file type those shady friend recommendations come in; just drag and play. No endless converting, no weird lag, and you can stream it straight to a bigger screen so everyone can judge your taste.
If you’ve seen any other films generating award noise, drop them below. Let the speculation begin…
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Alright, so @mikeappsreviewer is hyped on the buzz and speculation, but if you actually just want a basic, boring, literally-the-actual-nominees list for Best Picture from this year’s Oscars? I’ve got you covered. No predictions, just the facts (and zero haunted dollhouses).
Here they are, alphabetically because I’m not a monster:
- American Fiction
- Anatomy of a Fall
- Barbie
- The Holdovers
- Killers of the Flower Moon
- Maestro
- Oppenheimer
- Past Lives
- Poor Things
- The Zone of Interest
Seriously, that’s the full slate. Not as wild as everyone’s Oscars pool rumors, yeah? (Also, I get it—finding a straight-up list online is weirdly hard, everything’s hidden behind slideshows and hot takes.) I’m still surprised “Past Lives” snuck in but “Saltburn” missed out, but hey, the Academy does what the Academy wants.
If you’re catching up, several of these are streaming already, so you don’t even have to change out of your pajamas—Oppenheimer and Barbie both are must-sees if you want in on the meme convos.
Enjoy the marathon—yes, “Killers of the Flower Moon” is really that long—maybe bring snacks and pick something light to watch after “Zone of Interest” so you don’t end up staring at your ceiling questioning humanity at 2AM.
Honestly, the way finding a simple Oscar nominee list online feels like hacking into Fort Knox these days… I see @espritlibre dropped the list (finally, thank you), but since you wanted a little more context, let me just lay out some hot takes to help you prioritize your binge. Skip the endless “whispers from film Twitter” route—here’s who actually made the Best Picture cut for THIS year (i.e., 2024 Oscars):
- American Fiction (satire, smart, wry—deserved the hype)
- Anatomy of a Fall (French, layered, courtroom-drama, bit of a slow burn but worth sticking with)
- Barbie (camp + color + existential crisis; love it or eye-roll it, it’s the pop culture event you can’t dodge)
- The Holdovers (Paul Giamatti doing career-best work, old-school-styled drama, surprisingly warm-hearted)
- Killers of the Flower Moon (“it’s really that long”—totally true, but Scorsese + DiCaprio = automatic must see for awards season)
- Maestro (Bradley Cooper goes all in as Leonard Bernstein, both makeup and intensity are extra)
- Oppenheimer (Nolan. Nuclear bombs. Cillian Murphy face-acting. Huge, loud, visually epic, Oscar frontrunner for a reason)
- Past Lives (gentle, beautiful, makes you rethink sliding doors moments in your own life)
- Poor Things (bizarre Olivia Colman and Emma Stone weirdness—either you vibe with it or you don’t)
- The Zone of Interest (J. Glazer makes the Holocaust somehow even more chilling by barely showing anything… total gut punch, proceed with caution if you’re not feeling emotionally armored).
I disagree slightly with @mikeappsreviewer that “Sentimental Value” or “Marty Supreme” are worth hunting for yet—they’re buzzy for next year, not this list, and let’s not get ahead of ourselves.
If you’re streaming, half these are on various platforms; Oppenheimer and Barbie in particular are everywhere (and their memes are unbeatable).
TL;DR: Oppenheimer is the giant, Barbie is the pink meme, Anatomy of a Fall is your quirky friend’s fav, The Holdovers is for sad winter comfort, and Poor Things is just weird (in a good way). Do yourself a favor: start with those, pick some snacks, and question why the Academy refused to nominate your personal sleeper hit instead.
Now, opinions: did anyone not find Zone of Interest haunting? Or is it just me who needed to watch a cat video marathon after?
Let’s get straight to it: you want the full actual Best Picture nominees from the 2024 Oscars, minus the wild guesses and prediction drama that’s swirling everywhere else (and believe me, forums are being flooded with “hot picks for 2026” that haven’t even hit a single screen yet—lookin’ at you, folks waxing poetic about “Sentimental Value” as if it’s real).
Here’s the no-fluff list for 2024 Best Picture, ripped right from the dome and double-checked so you don’t marathon some festival fantasy:
- Oppenheimer
- Killers of the Flower Moon
- Barbie
- Poor Things
- Maestro
- Past Lives
- The Zone of Interest
- Anatomy of a Fall
- The Holdovers
- American Fiction
Nope, there’s not a surprise “Gothic Frankenstein,” “Marty Supreme,” or any of those (shout-out to earlier peeps for enthusiastic speculation, though). The real nominees cover every vibe: blockbuster chaos, indie heartbreakers, trippy period dramas, and at least three movies that’ll have you seriously Googling explanations after.
Quick take: Oppenheimer steamrolled as the big favorite (I personally think it outshined Maestro by miles in terms of both ambition and execution), and Barbie’s inclusion proves the Academy will actually back something loud, meme-y, and fun for once.
On the playback front, I saw some chat on video players from earlier threads. Honestly, tried Elmedia Player after the hype:
Pros: Actually does play every file so far (including those .mkv weirdos and unholy subtitle mixes), plus you can easily stream to Apple TV and it organizes clutter nicely.
Cons: Free version limits advanced controls and tinkering; die-hard tinkerers might prefer VLC for sheer customizability, while Plex is still king for full-on media server builds.
So, if you’re grabbing rips or downloads from everyone who’s “just sending you Oppenheimer cause you HAVE to watch tonight,” Elmedia Player is honestly less frustrating than most—just don’t expect to script your own keyboard shortcuts or set up a whole library ecosystem unless you go for the premium.
Anyway: ignore the next-wave predictions till next winter. Start with Past Lives for max emotional impact, Barbie when you need serotonin, and The Zone of Interest if you’re feeling brave and want to stare into the existential void. Anyone else find The Holdovers surprisingly rewatchable, though?